Die Kabinett-Ausstellung
At the centre of the presentation is “The Seven Sorrows of the Virgin” (1495/96), an early work by Dürer from the Gemäldegalerie Alte Meister collection in Dresden. It consists of seven panel paintings arranged in a U-shape around a central field, which was originally occupied by the figure of the grieving Virgin. Elsner has reinterpreted this representation of the “Virgin Mary as the Mother of Sorrows” (today housed in the Alte Pinakothek in Munich) in the form of a drawing, with which he provides the Dresden work with its missing fragment. Unlike in the case of a reconstruction, the juxtaposition of Dürer’s panels and Elsner’s drawing results in a captivating and dynamic relationship. Elsner’s palette deliberately contrasts with Dürer’s earth tones. His Virgin has a brighter, almost radiant hue. She is also translated into a kind of floating state and thus symbolically overcomes earthly suffering.




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