Johannes Vermeer, Brieflesendes Mädchen am offenen Fenster/ Girl Reading a Letter at an Open Window, um 1657–1659
© SKD, Foto: Wolfgang Kreische
Please note: From 17.06.–01.08.2019 the Semperbau with Gemäldegalerie Alte Meister and Skulpturensammlung until 1800 remains closed due to construction works.

A “new” Vermeer in Dresden

For more than 250 years now, the famous painting by Johannes Vermeer featuring a profile depiction of a girl intently reading a letter in front of a light-coloured empty wall has held a firm place among the masterpieces from the “Golden Age” of Dutch painting in the Dresden Gemäldegalerie. This picture, which dates to around 1657/59, is regarded as one of the earliest interior paintings by Vermeer with a solitary figure. It was produced in a multi-stage, complex painting process during which Vermeer altered details and entire pictorial elements within the composition.

  • DATES 08/05/2019—16/06/2019

[Translate to English:] Video

A depiction of Cupid originally incorporated on the rear wall as a “painting within the painting” was later painted over again. As a result of the latest investigations and the current restoration of the painting, it has now been proven that this overpainting was not done by Vermeer himself but was executed by a different hand some years after the completion of the Girl Reading a Letter. It has not yet been possible to identify the originator of this overpainting that completely covered the background picture, including its broad black frame, nor to determine at what point in time it was performed.

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Ein "neuer" Vermeer in Dresden: Stimmen von der Pressekonferenz

[Translate to English:] Einstmals an der Rückwand des Raumes

Although only about half of the Cupid picture on the rear wall of the room has so far been exposed, the fundamental change to the overall impression of the painting is already evident. It is now clear that the Dresden Girl Reading a Letter is another one of the numerous interior scenes by Vermeer in which there is a “painting within the painting” located on the rear wall. In this case, the artist was probably quoting a painting in which a standing Cupid was depicted with an upright bow in his right hand and with his left arm raised. This motif is already known from three other interior paintings by Vermeer.

© SKD, Foto: Wolfgang Kreische
Johannes Vermeer, Brieflesendes Mädchen am offenen Fenster/ Girl Reading a Letter at an Open Window, um 1657–1659 Aktueller Zwischenzustand der Restaurierung zum 7. Mai 2019, Öl auf Leinwand, Gemäldegalerie Alte Meister / current intermediate state of the restoration on 7 May 2019, oil on canvas, Gemäldegalerie Alte Meister

[Translate to English:] Vermeers „Brieflesendes Mädchen am offenen Fenster“

After completing the restoration of Vermeer’s “Girl Reading a Letter at a Open Window”, this painting is scheduled to be shown again to the visitors from mid-2020. It is safe to say that it will become a highlight of the new permanent exhibition of the Gemäldegalerie in the Semperbau building.

[Translate to English:] Erwerbung & Entstehung

Background

Restoration of the Painting

In the spring of 2017, the comprehensive restoration of the artwork began, carried out by painting conservator Christoph Schölzel.

Radiological examination
© SKD, Foto: Maria Körber
Background

The process of creating the painting

The compositionally balanced and masterfully painted work was the first in a series of paintings depicting interiors which focus on just a few figures engaged in intimate domestic activities.

Gemäldeausschnitt unter dem Licht von Restauratorenlampen
© SKD, Foto: SKD
Background

Acquisition and rediscovery

The painting “Girl Reading a Letter at an Open Window” was acquired for the collection of the Elector of Saxony and King of Poland, August III, in the spring of 1742 through a stroke of good fortune.

half length portrait of king August III with wig and harnass, pastel
© SKD, Foto: Elke Estel/Hans-Peter Klut

[Translate to English:] weitere

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